Introductory Sketches

The trail begins with my anxiety that my approach to devised theatre – as a critic – is based in the same concerns as my approach to scripted theatre. After wide reading, I stumbled upon a common theme in many devised process: a dialectic process informs their creation and development.

The following research trail examines fragments of my quest to find an interrogative instrument for devised theatre. There’s no conclusion, beyond a vague assertion that some but not all devised performances can be analysed in terms of a dialectic process.

One major case study of Joint Stock’s Fanshen and a smaller one for Gecko’s The Arab and The Jew provide examples of dialectic in devised work.

A brief survey of devised political work from the 1950s to the 1980s is conducted through studies of Heddon and Milling’s Devising Performance, Baz Kershaw’s The Politics of Performance and C. Carr’s On Edge, concentrating on evidence of dialectic in their construction, alongside Joan Littlewood’s Theatre Workshop and Lecoq's auto-cours teaching technique. 

A tentative suggestion is made that a dialectic process informs the development of devised theatre and is an important process within it.